Most Famous Traditional Folk Dances of Rajasthan

Mayur Dance

Brajleela Shows

– Vrindavan Is Existed In The Centre Of That Great Land Which Inspire Many Great Saints And Philosophers And Has Also Kalidah The Place Where He Enslaved The King Of Poisonous Snake (Naga) In The Midst Of Kalindi (Yamuna River) Besides Making Each One Of The Thousands Of Gopikas To Think Themselves As Radha.

Live Shows

– From Many Years In All Parts Of India. This Is Cultural Organ Of Mathura In The State Of Up Many Trained And Experienced Artist Of Dramatic Art Presents The Live Shows Of Following

Brij Vandana

– Worshiping Of Brij Bhoomi, Krishna And Radha Through Musical Songs In Brij Bhasha (Spoken In Brij).

Mayur Nritya

– When Radha Ji Wants To See Dance Of Peacock, To Fulfil Her Desire, Lord Krishna Portrays Himself As Peacock And Performs Dance Like Mayur.

Chakra Nritya

– Chakra Nritya Is A Representation Of Lord Vishnu’s Chakra (Sudarshana Chakra) Where A Heavy Brass Plate Is Revolved Only On Index Finger And Thrown 15-20 Feet Above In The Air And Rebalanced Similar To Its Previous State And Same Action Is Repeated Many A Times.

Charkula Nritya

– It Is A Folk Tale Of Uttar Pradesh In India Of Times When Radha (Paramour Of Shri Krishna) Was Born About Five Thousand Years Back In The Village Of Barsana. The People Of That Place Put Many Lamps On The Flat Wheel Of Chariot. Then They Danced With The Chariot Wheel On Their Head. Even Today The Farmers Of The Area Enjoy Similar Tradition Just Before The Harvesting Season. Please Note The Wheel Is Called Charkula In The Local Dialect And It Usually Weighs About 40 Kgs, Hence The Name Of Charkula Dance.

Rasleela/Bhajan Rasiya

– Raslila Is A Famous Art Form Originating In Braj In Uttar Pradesh In North India. This Folk Art Has Elements Of Classical Music, Dace And Drama. Raslila Is Associated With Radha And Krishna And Their Divine Love. It Is A Joyous Circular Dance Of Sri Krishna And His Playmates. Today We Have Villagers In India Taking Part In Raslila And Depicting Various Stories Of Radha And Krishna Through Dance, Music And Drama.

It Also Portrays Krishna’s Association With The Milkmaids Or Gopis Of The Village. It Shows How Krishna Casts A Spell On The Gopis Who Wanted Him To Be Their Dance Partner. Raslila Has A Basic Script Which Has To Be Followed, But It Has Enough Scope For Improvisation As Well. Though The Emphasis Of Raslila Is On ‘Darshan’ Or The Visual Appeal, It Is Important To Capture The ‘Bhava’ Or The Sentiment. This Is Done Through Music, Dance And Drama Enacted By The Actors.

The Various ‘Raasas’ Or Dramatic Flavors Like Friendship, Conjugal Love, Parental Love, Amazement, Compassion, Humour, Chivalry, Fury, Fear And Dread Are Expressed Through This Traditional Folk Form.

Dandiya Ras

– “Dandiya Raas”, Which Is Performed During Navratri. In Fact, It Holds A Significant Place In Navratri Celebrations. It Is Known For Setting The Festive Mood. Dandiya Raas Is The Featured And Most Popular Dance Of Navratri Evenings In Gujarat. The Dance Form Is Not Just Restricted To Gujarat. It Is Performed In Many Other States, During The Festive Season Of Navratri. Dandiya Raas Is Performed In The Honor Of Goddess Durga. Attach Photo

Latthmar Holi

– In Brij, People Enjoy Holi With Danda (A Form Of Bamboo Which Is A Little Bit Short But Very Stout), Colors (Abeer, Gulaal) And With Flowers. This Festival Is Quite Famous And Popular And Played With Great Enthusiasm. The Women Try To Strike Men With These Dandas And The Men Try To Escape And This Goes On As A Play. In Nandgaon And Barsana Holi Is Played With Sweets (Laddoo’s).

Phoolon Ki Holi

– Krishna And Radha Play Holi With Flower Petals. Several Qunitals Of Flower Petals Are Used In This Leela.

Traditionally, out of bound of men, this dance form was performed solely by Rajput women on auspicious occasions. Only the women perform it with their faces covered by a veil. They dance while singing traditional songs and perform circular movements gracefully and charmingly.

Ghoomar is a traditional folk dance of Rajasthan, India and southern Asia. Ghoomar was developed by the Bhil tribe and was then adopted by other Rajasthani communities. It is performed by women in swirling robes, and accompanied by men and women singing together.

This folk dance gets its name from ‘ghoomna’, the pirouetting which displays the spectacular colors of the flowing ‘ghaghara’, the long skirt of the Rajasthani women. There is an amazing grace as the skirts flair slowly while the women twirl in circles, their faces covered with the help of veils. They use measured steps and various graceful inclinations of the body, beating palms or snapping fingers at particular cadences while singing lilting songs. Mostly Goddess Saraswati is worshiped during this dance. This dance is usually done in a circle.

Ghoomar – Famous Social Folk Dance of Rajasthan
Dance is an expression of human emotion as much as music and it is found in almost limitless.
The desert region of Rajasthan is famous for the color and vibrancy of its folk forms. Each region in Rajasthan has its own form of folk dance. Tribal areas have maintained these folk dances which are often performed for special occasions.

Ghoomar – Rajasthan’s Popular Folk Dance
Ghoomar – Popular Rajasthani Folk Dance
Ghoomar – Popular Rajasthani Folk Dance
The famous Ghoomar, Rajasthan’s popular folk dance gets its name from ‘ghoomna’, the pirouetting which displays the spectacular colors of the flowing ‘ghaghara’, the long skirt of the Rajasthani women.

There is an amazing grace as the skirt flair slowly while the women folk twirl in circles, their faces covered with the help of the veil. Their measured steps and various graceful inclinations of body, beating palms or snapping fingers at particular cadences while singing some lilting songs.
Women from all age group participate in Ghoomer dance. At times this dance may continue for hours or the whole night. While dancing, the dancers move in a circular direction with clockwise and anti-clockwise steps. The performers sometimes unite their hands and even clap their hand in-between.
The performers move gracefully on the beat of the songs in synchronizing steps. As the tempo of the dance increases, the dancers swirl fleetly.

This ancient dance form is performed by women of the Kalbelia community who, by profession, are snake charmers and trade in snake venom. This ancient dance form has dance movements similar to the movements of the serpents and hence, even the costumes are black colored. Interestingly, women dance on the music produced by the ‘Been’, an instrument used to charm the snakes. This is an extremely sensuous dance form which completely enthralls the onlookers.

The Kalbeliyas, is a snake-charmer community from Rajasthan which performs the Kalbeliya dance. They rely heavily on this dance performance for their living. The Kalbeliya women dancers wear long, black coloured, drindled-skirts heavily worked with embroidery and light-coloured thread along with small pieces of mirrors. This costume draws the attention in a somewhat strange way.

Kalbelia is a nomadic community who sometimes introduces themselves as Naath, Jogi, Sapere and Sadhu. Their family business is to catch snakes. This comes in handy as they showcase a number of tricks using these snakes while giving spectacular shows in nearby villages and qasbas and at their Jajmaan”s place and thus earn livelihood for themselves. As the time changed they have made permanent lodgings outside the cities.

The dance is usually performed by a group of two women standing in the center of the stage. After this pair, another pair of women come & dances in the same way. As the women dancers move in a circle, while dancing, their body sway acrobatically, leaving an impression that they are made up of some flexible material like rubber.

The beat of the dance increases in tempo and also there is an increase in their pace of the dance. This dance performance leaves viewer as exhausted as the dancer. The overall performance consists of many fearful actions performed by dancers.

The dancers are required to constantly decrease the tempo of their gyrations and move to the corners to catch their breath while two other dancers would spin around to take their places in the center. The specialty of this dance is that the dancers perform it in a beautiful synchronized rhythm that for a moment the audience feels they are the same dancers that continue throughout the performance.

Pungi is a special instrument of Kalbelia community. They catch snakes with the help of pungi. They enchant the snake by playing this instrument and then catch it.

The dances of Rajasthan are so inviting and engaging that they are bound to induce you to tap a foot or two along with the dancers. Rajasthani dances are essentially folk dances tracing their origin to rural customs and traditions. What is more interesting is that keeping alive the numerous dance forms are not the professional dancers but the ordinary rural men and women of Rajasthan. The dancers practicing these dance forms are, till date, religiously following the age old traditions and that’s where, the beauty of these dances lies. Apart from the simple expressions and daring movements that add beauty to the dances, there are the vibrant and colorful costumes adorned by the dancers. For the dancers of Rajasthan, the Thar Desert is the centre stage which enhances the beauty of the dances at the backdrop of the setting sun. Some of the folk dances of Rajasthan are illustrated herein.

A famous theme of the Panihari songs is the tale of a young, unwed girl who stumbles upon a stranger on her way home from the well. Taking pity upon the parched stranger she offers him some water. After the drink the immodest stranger sings praises of her beauty and follows her home on her camel. Fuming at such outrage the village lass complains to her mother. The lady meets the stranger and laughs at her daughter’s ignorance as the stranger turns out to be the girl’s fiancé.

The mischievous romance, the mock anger and the humor of a happy end are captured well in this song. Panihari songs are not set to any formal or classical note or raaga. They are lilting melodies that spontaneously overflow from a woman’s heart.

havai is one of the traditional folk dances of Rajasthan. This is a very difficult form of dance and can only be performed by skilled artists. This dance basically involves women dancers balancing 8 to 9 pitchers on their heads and dancing simultaneously. This nail biting , suspenseful dance, the well skilled dancers balance a number of earthen pots or brass picthers and then sway with the soles of their feet perched on the top of a glass and also sometime on the edge of a naked sword or on the rim os a brass thali (plate) during the performance.

Traditionally, out of bound of men, this dance form was performed solely by Rajput women on auspicious occasions. Only the women perform it with their faces covered by a veil. They dance while singing traditional songs and perform circular movements gracefully and charmingly.

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